LUDUS TONALIS HINDEMITH EPUB DOWNLOAD!
Ingenious and inspiring is Ludus Tonalis by Paul Hindemith. This paper aims at highlighting the main aspects that reveal, on the one hand, the correlation of. Ludus Tonalis is that great work of intellectual gymnastics which has been called The work represents a musical statement of Hindemith's theories yet in it we. Ludus Tonalis subtitled Kontrapunktische, tonale, und Klaviertechnische Übungen is a piano work by Paul Hindemith that was composed in during his stay.
|Published:||3 October 2015|
|PDF File Size:||21.18 Mb|
|ePub File Size:||21.42 Mb|
WEISGALL Piano Sonata HINDEMITH Ludus Tonalis |
Partly in C mm. Romantic improvisation Fuga secunda in G: Dance in 5 8 time Interludium: Ludus tonalis hindemith Fuga tertia in F: Ludus tonalis hindemith composed the work as a kind of summa of his theories of tonality and aesthetics.
He very clearly wants us to consider the score as a modern equivalent of Bach's Art of the Fugue.
Actually, I can think of few composers who could conceive of a work like this. Hindemith regarded it as pointing to a way out of the "chaos" of Modernism. However, in fifteen years, his notions of tonality and aesthetics would change.
Frankly, I think Hindemith's extra-musical concerns have become less relevant with the years, but I ludus tonalis hindemith consider the score one of the greatest of its time. It's not a matter of all that awesome counterpoint, but that, like Bach, the counterpoint serves to make exciting music.
My favorite fugue is probably the serene third in F, which happens to be palindromic. It sounds the same played forward or backwards; the sequence of notes reverses in the middle.
- Ludus Tonalis - Wikipedia
- Ludus Tonalis (Hindemith, Paul) - IMSLP/Petrucci Music Library: Free Public Domain Sheet Music
- Classical Net Review - Hindemith - Ludus Tonalis, Suite ""
- WEISGALL Piano Sonata HINDEMITH Ludus Tonalis
- Hindemith Ludus tonalis; Suite '1922', Op 26
As interesting as that may be, the fugue's poetry impresses more. Despite the sometime advocacy of Glenn Gould, there hasn't been the recording tradition for Hindemith's piano music as deep as, say, that of Debussy or Ludus tonalis hindemith. In Ludus Tonalis, therefore, the fundamental tonality, C, is departed from in accordance with the natural relationship of the degrees.
The interludes are wholly transitionary, fulfilling a primary modulatory function.
Hindemith, “Ludus Tonalis” – Piano Notes
Thus, they cannot be separated from the preceding fugue or performed separately. Hindemith knew, as not all ludus tonalis hindemith do, that fugue is most emphatically not a form; it is essentially a texture.
The Praeludium ludus tonalis hindemith within it all the elements to be explored in the ensuing work. It is itself in three main parts, akin to toccata, arioso and chorale.
There are exceptionally subtle relationships between the Interludia and their succeeding fugues. The opening three notes of the Praeludium begin the subject of the Fuga Prima, with a second transmuted into a seventh; and, in varying degrees, each Interludium has cellular-melodic kinship with the fugue towards ludus tonalis hindemith it modulates.
There are other ludus tonalis hindemith aspects to this superb and wholly original masterpiece: Avec le Concerto pour piano, cuivres et harpes, op. Auch war er ein guter Pianist und meisterte verschiedene andere Instrumente.
Auf der Grundlage seiner Theatererfahrung hatte Hindemith drei expressionistische Einakt-Opern geschrieben.
Hindemith entwarf selbst die Titelseite. Er konzentrierte sich nun auf die Bratsche und erreichte internationale Anerkennung auf diesem Instrument.